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A Cy Young Arm, A Gentleman’s Heart, Honoring the Legacy of Randy Jones


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Randy Jones never threw a pitch that frightened a radar gun, but he built a career that could humble even the most electrified arms of his era. He grew up in southern California, a left-hander whose fastball wasn’t exactly the sort of thing scouts sprinted to see twice. What he did have—and what would eventually make him one of the great artisans of 1970s pitching—was a stubborn belief that there were other ways to get hitters out. When he talked about it, even decades later, you could hear the pride in his voice: this was a man who took the scenic route to greatness and made the journey his own.


When Jones told me in a 2010 interview that he had always been “the kind of guy who wanted to solve a lineup like a puzzle,” he wasn’t exaggerating. Long before he won a Cy Young Award, he was already tinkering with grips, angles, and little mechanical quirks that would drive hitters to muttering fits. He understood that if he couldn’t overpower batters, he’d have to outthink them. And he did—over and over again.


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By the time he reached San Diego in the early 1970s, the Padres were a team still trying to figure out what they were meant to be. Jones, in his easygoing, sleeves-up way, gave them an identity. His early seasons were rocky, but he evolved with remarkable speed, transforming himself from a fringe pitcher into one of the most frustrating at-bats in baseball. He worked quickly. He lived at the knees. The sinker darted, the slider teased, the fastball arrived just slowly enough to make hitters wonder if they were losing their eyesight.


In 1975, he broke through as one of the league’s toughest starters, and the following year he was practically unhittable. That 1976 season—his Cy Young campaign—wasn’t an accident; it was the polished end result of years spent refining and redefining himself. He didn’t overpower hitters; he undid them. He threw complete games as if they were a personal hobby. Opponents knew the ball was coming, knew it would be around the plate, and still couldn’t do much about it. Jones was that rare kind of pitcher who made baseball feel like a negotiation he always won.


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In that 2010 conversation, he laughed remembering how hitters would come to the plate “already annoyed,” because even when they knew the sinker was coming, they still beat it into the ground. “That’s when you know you’re in their heads,” he said. The joy in his voice told the story of a man who loved the chess match as much as any victory.


But Jones’s career was shaped not just by mastery, but by adversity. Injuries crept in, as they often do to pitchers who rely on mechanics as delicately tuned as a watch. His arm trouble dimmed the later stages of his time in San Diego, and by the time the Padres traded him to the Mets before the 1981 season, he was no longer the same pitcher who once seemed able to will the baseball to obey him.


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Yet even in New York—where expectations can swallow a man whole—Jones brought his trademark professionalism and humor. He wasn’t the Cy Young version of himself anymore, but he remained a mentor and a steady presence during a transitional period for the Mets. He tried everything to stay effective, because that was who he was. “I never believed in giving in,” he told me in that 2010 interview, reflecting on those Mets years with a sort of gentle honesty. He wished his arm had cooperated, but he never regretted the fight.


After baseball, Jones became something of a civic treasure in San Diego. He embraced fans with an openness that felt increasingly rare in modern sports. He built restaurants, shook hands, held court, and treated strangers like old friends. He loved the Padres, loved the city, and loved the idea that a ballplayer could keep giving long after the last inning. His post-career life became a second chapter of connection—community work, charity events, storytelling sessions where he’d reenact his sinker grip with the same enthusiasm he once showed on the mound.


What people remembered most wasn’t the Cy Young or the All-Star nods or the groundball epics. It was the warmth. The generosity. The way he’d remember names, the way he’d flash that grin as if letting you in on a secret. Even in 2010, speaking with him felt less like interviewing a former star and more like catching up with a friendly neighbor who just happened to dominate Major League hitters for a few golden years.


Randy Jones’s passing hurts, especially for those who admired the way he built his career through creativity, intelligence, and sheer persistence. Baseball has always loved its flamethrowers, but it also needs the craftsmen — the pitchers who show that guile, heart, and imagination can carve out a legacy just as lasting.



Jones was one of those craftsmen. A pitcher who solved puzzles. A man who embraced people. A storyteller who kept the game alive in every handshake and memory.


And even now, the image of that easy, slingshot delivery — ball drifting like it had a mind of its own — still feels like a small miracle of baseball ingenuity.


Randy Jones was more than a Cy Young winner.

He was one of the game’s great originals.

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